Hayley Atwell, actrice britannique / William Boyd

As Agent Carter she was a muse to superheroes. Directors praise the professional example she sets. Now she is ascending into the period drama stratosphere in the new TV adaptation of Howards End <emb696|center> It was Hayley Atwell who, (...)

Moderated by Jenelle Riley, Variety (June 2018) Hayley’s impressive body of work has established her as one of the finest actresses of her generation. Hayley can be seen starring in HOWARD’S END. Written by Manchester By the Sea’s Oscar nominated (...)

Hayley Atwell leaps from star of Brideshead and Any Human Heart to gun-toting sex bomb in Captain America Please God, no more red lipstick !’ Hayley Atwell drops her head into her hands in mock despair. When she looks up again, the beautiful (...)

“Restless” might be how viewers accustomed to action-packed spy fare will feel watching Sundance Channel’s latest foray into original programming, not because William Boyd’s miniseries adaptation of his novel is bad, but because it slogs along at (...)

Hayley Atwell has already starred alongside A-listers such as Emma Thompson and Keira Knightley, and with roles in two major TV series this autumn – plus a blockbuster movie in production – she’s on the brink of global superstardom. But, as Lydia (...)

Inquiète pour sa vie, Sally Gilmartin révèle à sa fille qu’elle est en réalité Eva Delectorskaya, une espionne du gouvernement britannique qui est recherchée depuis 30 ans. Elle lui raconte ainsi comment tout a commencé. Après Any Human Heart, c’est au (...)

Hayley Atwell has certainly been making a name for herself over the past few years. Starting in numerous BBC projects, Atwell finally got her big worldwide break in Captain America : The First Avenger as Peggy Carter. Since then, she has grown (...)

Hayley Atwell est une actrice britannique connue pour ses rôles dans The prisoner, Les piliers de la Terre et Captain America. En 2011, Hayley Atwell apparaît dans de nombreuses séries télévisées, notamment dans le remake de la série culte des années (...)